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It was recorded by James Rutledge, who has produced and remixed for Bloc Party and The Kills. He was recently included in the NME Future 50 list as one of the "bands, artists and innovators driving music forward".
His friend and former Dakota Oak band mate, Dave Tyack, went missing in Corsica in August 2002. The charity was in constant contact with the Tyack family until his body was found in June 2004.
Rutledge said: "The charity gave his family continued support during that incredibly difficult time, as they do for thousands of others each year.
"The service that the charity provides is vital to those left wondering what has happened to their loved ones. It is hard to imagine what it is like to have no idea where someone you love is, whether they are alive or dead even. At times like this the charity can be a lifeline."
Paul Tuohy of Missing People said: "This is a once-in-a-lifetime opportunity to own a piece of signed Radiohead memorabilia and let's face it, it's the ultimate Christmas present for a Radiohead fan."
The original version of Videotape is on Radiohead's most recent album In Rainbows.
Bidding ends at 10pm on Sunday December 21."
Four hours? Bid here.
I associate Wilderness' 2005 self-titled debut with the worst summer of my life. The record was released on July 5 -- over a month into my grueling studies for the California Bar Exam. With over three weeks until the most important three days of my life, Wilderness provided with me an escape, a release, a, well, wilderness. I'd let the driving percussion, ringing guitar, and James Johnson's guttural vocals wash over me and remind me that life existed outside of the library.
M83 absolutely killed it last Saturday at the Henry Fonda. Lead by Cocteau Twins lover Anthony Gonzalez, the live version of the French electro high definition rockers (including guitarist Pierre-Marie Maulini, drummer extraordinaire Loic Maurin, and LA's own Morgan Kibby on keys and vox) performed a dynamic, heartfelt and overwhelming set. Every song resonated to the human core with a clarity and sheer intensity not heard in most live performances. From a technical standpoint, the mix was impeccable and LOUD!
School of Seven Bells opened. The performance itself was good, but would have benefited from M83's soundman and a live drummer. At least SVIB got to play before M83.