Last Saturday, the Lady Doc and I undertook a wonderful tour of bucolic Santa Barbara County, which is a short drive up the 101 from LA. We tasted wine in the European tradition, soaked in the sun, and explored only part of what the region has to offer. The area feels like it is lightyears away from the city. On our way out we had dinner in Santa Barbara proper and caught part of some crazy, confetti-littered Summer Solstice celebration that we initially mistook for a pride parade. (Sorry; no pics of that.)
Monday, June 25
Friday, June 22
Live: Tortoise
And I got to chat with this guy.
Go here for more pictures and remaining tour dates.
Labels:
Criticism,
Live Shows,
The El Rey,
Tortoise
Monday, June 18
Endless Summer
Now that summer is upon us, I thought it wise to highlight some seemingly apposite tunes.Christian Fennesz--who simply goes by Fennesz when composing and performing his white noise wonders--originally released this work on Mego in 2001. The album was reissued by the excellent Editions Mego in January 2007 after being remastered.
I was going to try and form complete sentences to describe how incredible this music is. I'm usually competent at that. But instead I'm simply going to list the notes I took while listening recently:
"The sound of decay.
Disintegration Loops - Basinski.
Liquid audio.
Vinylesque.
Experimental.
Repetitive.
Looped.
Beautiful.
Linear overall, but built upon slow, developed, transient loops.
Synthetic.
Unstructured.
Four Tet at half tempo with no beats.
For Boards of Canada fans (see: synth sounds).
Processed guitar.
Phenomenal.
Fantastic."
That should give you an idea. But please navigate yourself to "A Year In a Minute" and "Endless Summer" here.
Tuesday, June 12
Flickr Photostream: Explosions In the Sky [Jared Swafford]
Do check out Jared Swafford's excellent collection of Explosions In the Sky photos, taken March 12, 2007 at The Alcazar in St. Augustine, (Northern) Florida.
Monday, June 11
Live: LCD Soundsystem
On Sunday, the Lady Doc and I attended night one of LCD Soundsystem's sold out three-night stint at the El Rey. The band rocked our asses off with higher tempo versions of tracks from Sound of Silver and their self-titled debut. James Murphy sure knows how to lead a band, and the hole in my dancing shoes proves it. Can't wait for night two!









Photos by Jonathon David and the Lady Doc.
Tuesday, June 5
FaceCulture.nl

Today I discovered a great archive of music-related videos. Face Culture is a Dutch site with dozens of interviews with musicians about their inspiration and technique. There's also a decent live "in-studio" archive.
Don't let the site's "Most Wanted" list fool you--there is a nice selection of quality independent artists including Belle and Sebastian, Broken Social Scene, and British Sea Power (to take a few of the Bs, for instance).
The interviews and text are primarily in English but there is some Dutch, so be prepared. Even though these clips are produced on a shoestring, the content certainly overcomes whatever formal shortcomings there might be.
Enjoy!
Turning the Tables On the RIAA
Alert reader Ross recently pointed me to a link regarding counterclaims brought by a defendant in an RIAA p2p crackdown case.
Maybe I missed the boat on this one, but I'm surprised it's taken this long for such theories to be tested. To me it seems natural that a target of the numerous RIAA suits would want to bite back in as many ways possible. It could be that countersuits have been filed in the past but the cases were settled or dismissed before the court reached the merits of the action and before the public heard of it.
Regardless, it will be interesting to see how these issues fare. Remember, the RIAA is a trade group--not a government entity--and therefore does not benefit from any sort of qualified immunity in the investigation and prosecution of alleged illegal p2p users. If the defendant-counterclaimant is successful on any of her claims it could potentially hamper the way the RIAA protects its interests.
When, if ever, will there be a balance between homespun cottage-industry recordings, major label sensitivity, and consumer interests?
Answer: 2019.
Maybe I missed the boat on this one, but I'm surprised it's taken this long for such theories to be tested. To me it seems natural that a target of the numerous RIAA suits would want to bite back in as many ways possible. It could be that countersuits have been filed in the past but the cases were settled or dismissed before the court reached the merits of the action and before the public heard of it.
Regardless, it will be interesting to see how these issues fare. Remember, the RIAA is a trade group--not a government entity--and therefore does not benefit from any sort of qualified immunity in the investigation and prosecution of alleged illegal p2p users. If the defendant-counterclaimant is successful on any of her claims it could potentially hamper the way the RIAA protects its interests.
When, if ever, will there be a balance between homespun cottage-industry recordings, major label sensitivity, and consumer interests?
Answer: 2019.
Monday, June 4
Zipdecode: 10048
As a closeted fan of cartography, I was pumped when I found this awhile back. Simply punch in a valid zipcode and watch as a cool monochromatic map centers in on the location. I recommend enabling the zoom feature. It's fun, I swear!
Thursday, May 31
Live: Arcade Fire
Electrelane opened but I missed most of their set scarfing down a chilidog. What I did see was sufficiently ferocious.
Point 'er here for some other nice shots.
Main photo by Jonathon David.
Labels:
Arcade Fire,
Criticism,
Live Shows,
The Greek Theatre LA
Wednesday, May 30
Jinpachi: Best. Sushi. Ever.
The Lady Doc and I had date night last week at Jinpachi, a sushi restaurant in West Hollywood. Now I've had my fair share of sushi over the years, and have actually been to Jinpachi once before with our friend Eric, but this meal was unbelievably scrumptious.
The edamame was great and our ginger-dressing salad was excellent, but the main event at Jinpachi is found at the sushi bar.
From what I can remember, our meal included cut rolls of spicy tuna, toro scallion, and shrimp tempura. As for nigiri, we had yellowtail (hamachi), sockeye salmon (sake), fresh water eel (unagi), and giant scallop (hotategai). (The sake and hotategai were specials.)
I cannot imagine any of the sushi being better than it was that night. Every piece just had an extra "something" that knocked this sushi to the next level. The quality of each selection was to such a degree that a better epicurean experience is simply unrealistic. (And I'm not referring to atomic materialism, if anyone was wondering.) If that's not enough, they also offer desserts from a Spago-trained pastry chef.
If you live in LA, there's no excuse for not going. If you live within 75 miles of La Cienega & Santa Monica Blvd., make it a Jinpachi daytrip. If you live any further--let me know and you can crash at my place for, you guessed it, JINPACHI WEEKEND!
The edamame was great and our ginger-dressing salad was excellent, but the main event at Jinpachi is found at the sushi bar.
From what I can remember, our meal included cut rolls of spicy tuna, toro scallion, and shrimp tempura. As for nigiri, we had yellowtail (hamachi), sockeye salmon (sake), fresh water eel (unagi), and giant scallop (hotategai). (The sake and hotategai were specials.)
I cannot imagine any of the sushi being better than it was that night. Every piece just had an extra "something" that knocked this sushi to the next level. The quality of each selection was to such a degree that a better epicurean experience is simply unrealistic. (And I'm not referring to atomic materialism, if anyone was wondering.) If that's not enough, they also offer desserts from a Spago-trained pastry chef.
If you live in LA, there's no excuse for not going. If you live within 75 miles of La Cienega & Santa Monica Blvd., make it a Jinpachi daytrip. If you live any further--let me know and you can crash at my place for, you guessed it, JINPACHI WEEKEND!
Subscribe to:
Posts (Atom)